Blog topic: Art

Shu-Wen Lin

Shu-Wen Lin joins SUL for media archiving internship

May 30, 2015
by Hannah Frost

The Stanford Media Preservation Lab and the Department of Special Collections are delighted that Shu-Wen Lin is spending the summer with us in Redwood City interning as a media archivist. Leveraging her interest and background in the arts, Shu-Wen will help to process and preserve several media-based collections, including the archives of visual artist Carolee Schneeman and the archives of Telling Pictures, a prominent Bay Area film production company. Shu-Wen's first day is June 1.

Becoming Stanford: The History and Meaning of the University’s Insignia

April 2, 2015
by Josh Schneider

Have you ever wondered why Stanford is represented by the color cardinal, and not the original choice of gold? Or why the university's motto is in German?

The University Archives, in collaboration with Kathleen Smith, Curator of Germanic Collections and Medieval Studies, is pleased to announce a new exhibition focused on the development of Stanford's insignia. Becoming Stanford: The History and Meaning of the University’s Insignia is now on display in the South Lobby of Green Library.

San Francisco Fountain detail by Joe Thompson

Asawa Photos of San Francisco on Historypin

April 2, 2015
by Franz Kunst

As previously announced, the Ruth Asawa papers are now available. In thinking of fun and innovative ways to present certain aspects of her work, we decided to scan a small series of San Francisco architecture snapshots from her collection and upload them to the social mapping website Historypin, and also include them in their Year of the Bay local history project.  These photographs were probably used as research in creating the San Francisco Fountain in Union Square, which features many cast dough relief images of the city. Unfortunately there is no information on or about the prints in the collection. They are likely all from the 1960s, and were probably taken by Asawa (she has referred to taking pictures of the city in preparation). Architectural historian Sally Woodbridge may have also contributed. The varying qualities of the prints implies that several cameras or developers were used, and that they were probably taken over a period of time. At any rate, they collectively serve as a remarkable portrait of the city in that decade.

Alert 747

ALERT 747 exhibit in Green Library

Alert 747: Suspected Nuclear Test  - A journey to uncover facts and create dialog through humanistic creative production. This February, Stanford University Libraries (SUL) highlights a special collection, Vela 6911 by Victor Gama, with an exhibit on display in the Green Library South Lobby from February 3- March 9, 2015.  Vela 6911 is a multimedia musical piece created by Victor Gama, an Angolan composer and designer of contemporary musical instruments for new music. This exhibit offers a glimpse into this vast collection of research, images, video content and musical scores that reside in the SUL Archive of Recorded Sound.  It also supports and coincides with the March 6th live performance of VELA 6911 by Gama, the Stanford University New Ensemble and special guests from Stanford’s Center for Computer Research in Music and Acoustics (CCRMA). Information about the concert is at the Stanford Events Page. 

Fragment of Text of Canon Law dealing with statues in church

Eight new digital collections now available in SearchWorks

Eight new digital collections are now available in SearchWorks. These collections take advantage of SearchWorks' ability to provide users with rich discovery and access capabilities for finding and working with digital collection content.

Medieval fragments study collection, 11th-16th cent

Abstract: Primarily fragments, these specimens were acquired to demonstrate the development of writing in the western world. A variety of scripts are represented, from Carolingian minuscule to the humanistic hands and the "cancelleresca."

Collection contact: Benjamin Albritton

Ruth Asawa Tamarind lithography workshop 1965

Arts initiative in Special Collections

September 23, 2014
by Glynn Edwards

Walking around campus, one can readily see the impact of Stanford’s Arts Initiative. Joining the existing Cantor Arts Center are several new buildings, including the Bing Concert Hall, which opened in 2013, the Anderson Collection at Stanford University, which opened on September 21st, and the growing structure that will be the McMurtry Building, slated to open in 2015.

In parallel with this new focus on the arts, the MSS division in Special Collections has worked over the last year with Peter Blank and Anna Fishaut at the Art & Architecture Library, in identifying and funding the preservation and processing of four recently acquired art collections. Some of the projects will include selected reformatting of audio-visual elements, processing of digital files, additional digitization efforts, and collaboration with the libraries’ Department of Conservation and the Art Library’s Visual Resources Center.

Eyeglasses over an open book

Happy 120th birthday to Aldous Huxley, born July 26, 1894!

July 23, 2014

“There are things known and there are things unknown and in between are the doors of perception.”
-Aldous Huxley

Aldous Huxley is widely known as the author of Brave New World, The Doors of Perception, and Island. Did you know he was also the grandson of scientist Thomas Henry Huxley, a Hollywood screenwriter who wrote the screenplay for Pride and Prejudice (1940), lectured on the “Human Potential” at The Esalen Institute in the 1960’s, and was once Eric Arthur Blair’s French teacher at Eton College before Eric went on to write 1984 and Animal Farm with the pen name George Orwell?

Special Collections at Stanford University Libraries has a sketchbook, which Huxley used when he was 17 years old. Dated March 7-July 6, 1912, it is possible that Huxley brought the sketchbook along with him during his travels through Marburg, Germany before attending Oxford University in the fall of 1913.

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